What were the causes of the Northern Renaissance?

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The Italian Renaissance had placed human beings at the centre of life and had promoted humanistic values as opposed to religious values. Influenced by the ideas of the ancient past it conceived of a new way of life and provided a new worldview. The Renaissance this led to great works of art, literature and philosophy. The Renaissance was not just confined to Italy. There was also a Northern Renaissance. This is the term given to the cultural flowering that occurred north of the Alps, in German-speaking countries, the Lowlands, France and England. The Northern Renaissance was a unique event and although influenced by the Italian Renaissance was distinct from it. This article will argue that the origins of the Northern Renaissance was a result of the spread of printing, influence of Italy, growing wealth and the decline of the culture associated with feudalism.

Durer Self-Portrait

The Northern Renaissance

The Northern Renaissance was similar to the Italian Renaissance. It also was interested in the ancient past and believed that it was a guide to the present day. The Northern Renaissance was also very much concerned with humanism and its values [1].. This was the idea that humans with the use of their reason could improve their circumstances and their society. It was more concerned with the individual and their concerns. The movement believed in the possibility of human freedom and the possibility of the perfectibility of man. However, the Northern Europe Renaissance was much more religious in its nature than the Italian Renaissance. Many Northern scholars such as Erasmus were very much interested in the reform of the Church and denounced superstitions and clerical abuses and corruption, in the name of the true faith [2]. The great scholar Erasmus, who was born in modern day Netherlands, was religious and also very interested in the classical world. However, he, like many other German and other Northern Humanists saw no contradictions between Christianity and ancient cultures and believed that they could be reconciled. The religious character of the Renaissance north of the Alps was due in part to the continuing influence of the Church, unlike in Italy, where the Church was in decline[3]. The Northern Renaissance was an impressive cultural epoch and its achievements were as great as those in Italy. It produced writers of the stature of Rabelais, Montaigne, Erasmus and Thomas More. In the arts it also was a time that saw the production of many masterpieces by artists such as Durer and Bosch. The Northern Renaissance, humanists, were not just concerned with the study of ancient texts but also biblical texts. Scholars began to study the bible in a new and critical way. Scholars produced more reliable versions of key biblical texts and produced commentaries on the New and Old Testament. These were very influential and the Northern Humanists ‘New Learning’ inspired many to question the teachings and authority of the Church and this did much to pave the way for the Reformation[4]

Brueghal’s The Fall of Icarus

Socio- Economic Background

The fifteenth and sixteenth century was a period of economic recovery for much of Northern Europe after the wars, plagues and instability of the 14th century. Trade recovered and new trade routes were established and many cities became fabulously rich in the Rhineland and the Lowlands [5]. Many cities became very rich, especially those in modern Belgium such as Bruges. This period also saw stability and peace in Northern Europe as the great wars of the 14th century such as the One Hundred Year War ended. This and the economic expansion meant that there were more schools and Universities in Northern Europe[6]. The growing stability of Europe after the trials of the 14th century meant that there was more contact between North and South Italy and ideas were transmitted from the Mediterranean region to the North. The growing wealth of the region was to be very important in the rise and the achievements of the Northern Renaissance[7]. This is because it allowed the local elites to patronize, artists and scholars. In this era artists and writers could not live and work without the support of the wealthy. The growing wealth in Northern Europe meant that there were more patrons for artists and writers and this allowed them to create their masterpieces. The Northern Renaissance origins are associated with the Duke of Burgundy, who were among the greatest patrons of the art in the early years of the Northern Renaissance. The Dukes owned a vast territory stretching from Switzerland to Belgium[8]. They were de-facto independent of the German Holy Emperor and the French King. Successive Dukes were great patrons of the arts and they commissioned many great works of art[9]. The Burgundian Court played a major role in the development of Renaissance values in Northern Europe. Many wealthy merchants at this time and they acted as the patrons of many artists. This was especially the case in the great Flemish cities in modern day Belgium such as Antwerp and Bruges. Wealthy merchants often commissioned works from local artists and this allowed a great school of Flemish painters to flourish. The Church and the monarchies were also important patrons of the art. For example, Francis II of France was a great patron of the arts and he spend lavishly on paintings and various art works. Without the patronage of the artists and writers the Northern Renaissance would not ot have produced as many great cultural works[10].

Influence of Italy

In Italy the culture of the city states had witnessed a remarkable artistic and intellectual flowering since the late Medieval Period. The renaissance was an effort to imitate the lost world of ancient Greece and Rome. The Italian, artists, writers and thinkers who all participated in the Renaissance, sought to create works that were the equal of the Greeks and Romans, whom they regarded as the pinnacle of civilisation. The ideas and the works of the Italian Renaissance soon became known north of the Alps. It was only in the late fifteenth century that ideas from Italy only slowly made their way north. In the 1490s Charles the VIII of France invaded Italy to claim the Crown of the Kingdom of Naples Cite error: Closing </ref> missing for <ref> tag. More and more northerners travelled to Italy, many such as Albert Durer, the great German artists, travelled in order to study the art of the great Italian painters, which greatly influenced his style and was the inspiration between many of his greatest works. All of these contacts helped to make the ideas of the Italian Renaissance better known in the north and they inspired many humanist and artists to take a new approach in their work. They soon had absorbed the new conception of life that they had witnessed in Italy and related it to their own societies and times [11]. .

Erasmus- the greatest scholar of the Northern Renaissance

Influence of Printing

The ideas of Italy would have been confined to a small elite in Northern Europe but for the invention of printing. The basic elements of printing had been known in China for centuries and papermaking had been introduced to Europe in the 13th century. However, in the 1440s there was a decisive step forward in the development of printing. In Mainz, Germany, Johann Gutenberg and other printers invented movable type by cutting up old printing blocks to form individual letters[12]. It seems that the invention of Gutenberg and other printers was based on the wine presses in this wine growing region. Soon Gutenberg was able to mass produce books and documents on an unprecedented scale. Gutenberg used movable type to produce the first printed version of the Bible in 1454. The printing press was a sensation at the time and it changed European Society. Prior to this books were rare and not freely available as most were produced by hand by professional copyists, who were usually monks and who prioritized devotional literature. Suddenly books once a rarity became widely available, especially to affluent traders and professionals in urban centres. Soon all the major European countries had printing presses and they were producing bibles, devotional works and also, significantly works by the classical authors such as Virgil [13]. The new books on classical authors exposed many more people to the ideas of the past and especially the classical period. The intellectual life of Northern Europe was greatly stimulated by these works and they did much to inspire intellectuals to revive the wisdom and knowledge of the ancient past. The printing press also did much to spread the ideas of key Northern Renaissance thinkers such as Thomas More, in his great work Utopia.

 ==Political and Social Changes==

Northern Europe was undergoing a period of great cultural change. The old feudal nobility was under pressure and their influence upon culture was in decline. The era’s rising prosperity saw a new class of urban merchants, who had little regard for the old feudal nobility and its values. The old culture that was based on feudalism, that promoted ideas of chivalry and deference was in decline and people were more open to new ideas, this was especially the case in the wealthy cities of Germany and elsewhere[14]. The humanists’ ideas were received enthusiastically by the new urban elite of merchants and lawyers. They were drawn to the values of the Italian humanists, which stressed reason and denied the primacy of received wisdom in the society. They also formed the audience for the books produced by the Northern Humanists such as Erasmus. Another factor in the changing culture of the time was the rise of national monarchies in France and England[15]. In many northern kingdoms the monarchies were centralising power and the feudal nobility was being weakened and they were being reduced from the status of semi-independent rulers to dependents of the monarch. The rise of the national monarchies meant that increasingly that cultural life was focused on the court. The monarchs of England and France in particular were very receptive to the ideas of the Renaissance. They arguably used the ideas of the Renaissance to justify and legitimize their increasing role in society and their growing powers [16]. They exploited the cultural productions of the Renaissance in order to publicize their special position in society. For example, Francis II was a lavish patron of the arts in order to symbolically demonstrate his privileged status in French society, especially with regard to the nobility. Typically, the nobles imitated the king and this led to a growing interest in the new styles of art that were being produced during the Northern Renaissance. This did much to spread the values of the Renaissance throughout France, England and beyond.


The Northern Renaissance was deeply influenced by the Italian Renaissance, but it was not merely an imitation of it. The Renaissance north of the Alps was much more religious than the largely secular and pagan Renaissance in the south and it arguably laid the intellectual foundations of the Reformation. The Northern Renaissance was inspired by the ideas that flourished in the city-states such as Florence and Venice[17]. The Northern Renaissance could not have developed without the growing peace and prosperity of the region especially after the difficult 14th century. This allowed members of the elite to become the patrons of writers and artists. Then there was the invention of the printing press, that made the works of the writers from the past known to many more people and this did much to propagate the values and beliefs of the Northern Renaissance. Changes in society, such as the decline in feudalism meant that there was a growing willingness to accept new ideas and beliefs. The rising urban elites and national monarchies in England and France were very willing to adopt the ideals of the Renaissance.


  1. Giustiniani,Vito. "Homo, Humanus, and the Meanings of Humanism", Journal of the History of Ideas 46 (vol. 2, April – June 1985): 167 – 95
  2. Giustiniani, p. 187
  3. Giustiniani, p. 187
  4. Huizinga, Johan. Erasmus and the Age of Reformation, with a Selection from the Letters of Erasmus, in series, Harper Torchbacks, and also in The Cloister Library. (New York: Harper & Row, 1957), p. 13
  5. Chipps Smith, Jeffrey The Northern Renaissance. Phaidon Press, 2004), p. 56
  6. Chipps, p. 5
  7. Huizinga, p. 15
  8. Huizinga, p. 25
  9. Chipps, p. 18
  10. Chipps, p. 117
  11. O'Neill, J, ed. (1987). The Renaissance in the North (New York: The Metropolitan Museum of Art), p. 114
  12. Holt, p. 115
  13. Burke, Peter. The Italian Renaissance: Culture and Society in Italy (Princeton: Princeton University Press, 1999), 6
  14. Burke, p. 115
  15. Burke, 134
  16. Janson, H.W.; Anthony F. Janson. History of Art (5th, rev. ed.). New York: Harry N. Abrams, Inc. 1997), p. 113
  17. Huinzinga,.56